闪电在线
bjm3u8
百度云M3U8
剧情简介
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think PhiWhenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick"s last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy"s reassuring childish motto "there"s no place like home" is ironically updated to the adult circumstantial adage "there"s no sex like marital sex". Kubrick"s take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman"s been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can"t. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman"s Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple"s venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn"t dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it"s the "fairy godmother" who speaks the last words in the movie.
本网站提供不安的最新电视剧资源均系机器人自动采集收集于各大视频网站,并不提供影片资源存储，也不参与录制、上传，并不了解播放网站是否拥有版权,本站仅负责连接，当权利人发现在本站的不安内容侵犯其著作权时，请权利人向邮箱发出书面“权利通知”，本站将依法采取措施移除相关内容或断开相关链接.详情
猜你喜欢